Superbrand
 
  THE RHETORIC OF CHANGE
  by Pritish Nandy on Thursday February 11 2010.
There are many Indias today, all of them struggling to be heard at the same time. Some argue. Others shout, scream, rant. Some play the game of power with astuteness and cunning. Others use faith, history, culture and tradition to stay bonded. Some mope and complain, see themselves as tragic victims of a brutal, oppressive regime that refuses to listen to the softer voices. In this mighty Babel, there are millions also who go about quietly and bravely, living out their desperate lives in the belief that things will get better one day. That is how this great nation lives out its destiny, day after amazing day.

Each of these many Indias seeks out its own rhetoric. The rest of us may argue over the merits and demerits of their politics, often not even fully comprehending why they do what they do or say what they say. That is why we see every ideological confrontation as a do or die battle, with no hostages taken. Last week we saw the Thackerays confront Shah Rukh Khan and Rahul Gandhi on two entirely separate ideological premises that somehow got all mixed up in the public eye. So much so that the Sena itself, for once, got so confused that they backed off and gave away the match point to their opponents. The winners were gracious in their victory and, for the time being, it looks as if Mumbai belongs not to its many claimants but to the larger vision of modern India emerging by popular consensus.

But what were the real issues? The SRK one was simple. Shah Rukh had lamented that the Pakistani cricketers were unfairly sidelined by the IPL. The media picked it up, made headlines out of it. Many of us had said the same thing on twitter and got away with it. He couldn’t. The knives were out before he could even explain himself. The real question dying to be asked was: If SRK was so concerned about the Pakistani cricketers, why didn’t he bid for them? Instead of asking the obvious, the Sena lost the plot and told SRK to stop pleading for the Pakistan players or go and live in Pakistan. It was political rhetoric, badly phrased. To mock SRK’s tears over Pakistani cricketers is one thing. To question his patriotism is another. The actual issue remains unaddressed: Should we continue sporting ties with Pakistan when shells are fired on our borders every day and 26/11 remains unpunished?

The Rahul Gandhi issue was more of the same. The real question is: Who does Mumbai belong to? There are two ways of looking at it and both are perfectly reasonable, valid, patriotic. You can say Mumbai belongs to those who have lived here for years, speak its language, respect its culture, and are committed to maintaining the continuity of its traditions and values. Perfect. No one questions that. No one questions the fact that Mumbai is slowly losing everything it once had because carpetbaggers and soldiers of fortune have taken over the city. But that’s not the same as saying only Marathi speaking people will be allowed to stay and work here. It’s not the same as saying let’s beat the North Indians and throw them out. Again, a perfectly good case wrecked by faulty political rhetoric. It’s no longer a battle for the preservation of Marathi culture and pride. The issue is now: Can Mumbai be out of bounds for others? Why Rahul? Anyone could have won this debate. It was a no-brainer.

That’s why the art of political articulation is so important. Every time an issue comes up for debate in the public domain, you must frame the questions right or run the risk of your rivals walking away with the public support that could have easily been yours. You can’t take on Sachin Tendulkar, Mukesh Ambani, Shah Rukh and Rahul Gandhi unless you have got your rhetoric right. Every ten years or so a new generation of Indians come up and question the premises earlier generations took for granted. Every few years a new road map for the future is drawn and the India we speak of takes on another shape, another imagery.

My father’s heroes were Gandhi, Subhash Bose, Rabindranath Tagore, Albert Schweitzer. I grew up admiring Che Guevara, reading Albert Camus and Pablo Neruda, being friends with Mother Teresa, Satyajit Ray and the Dalai Lama. My children have different role models. I may not agree with them but I respect their point of view. And that’s as it should be. Every generation must make its own choices. It must speak up for its own heroes, its values, its vision of the India it wants to live in. Our past can no longer shape or determine our future. The India my father fought so hard for may not be the India my son and daughters want to inherit. A nation evolves as it goes along. So does its political rhetoric.

Title
Name
Comments
 
Code Image - Please contact webmaster if you have problems seeing this image code Load New Code
 
        
umi
the gifting of love
i've never ever writtena blog b4 but isimply had to say this article cudnt have been more apt.esp the line ' gifting is for the unimaginative.'are we bimbettes?give us a platinum n we r yrs? n true val day is not abt gifts infact there shudnt even be a ap day to show love..love doesnt even need to be shown...when its true it shows itself. lovely piece..
Wednesday, February 17, 2010 Top

1
Blog Archive
 
2010
   

IN PURSUIT OF FAME

THE CURIOUS APPEAL OF SALMAN KHAN

THE RISE OF $ BILLIONAIRES

THE RIGHT TO PRIVACY

THE DEFICIT OF TRUST

A NATION OF BANS

LEARNING TO SAY SORRY

A BANDH THAT WORKED

THE MAKING OF GOTHAM CITY

THE PRICE OF HONESTY

LEARNING STARTS WITH IRREVERENCE

The Power of No

THE AGE OF THE FORGETTABLE

A VERDICT FOR CHANGE

THE IRRELEVANCE OF THE BJP

FOLLOW THE MONEY!

WHERE HAVE ALL THE GOOD GUYS GONE?

WILL THE NET DISTORT HISTORY?

THE BLINDING POWER OF BLACK

THE WONDERLAND THAT'S INDIA

THE POWER OF CONTROVERSY

THE BUDGET AS TAMASHA

THE GIFTING OF LOVE

THE RHETORIC OF CHANGE

THE IMPORTANCE OF AWARDS

RENEWING THE CHASE FOR EXCELLENCE

The Art of Living

MYSTIQUE OF THE WHITE SHIRT
   
2009
   

EXIT, THE TALL, DARK, HANDSOME STRANGER

FLEEING THE PRISON OF TECHNOLOGY

LET’S GET BACK TO MAKING MOVIES

The Murder of a Sportsman

LETTERS, TWEETS, ONE PAISA SMS

LET’S STOP JABBERING ABOUT 26/11

WELCOME TO THE AGE OF EXCESS

WHO IS A HERO?

WHAT IS STAR POWER?

WHY STABILITY HAS AN EDGE OVER CHANGE

THE CHOICES WE MAKE

THE ART OF MANAGING FAME

WHY DO WE WANT OUR LEADERS TO BE SO BORING?

THE INQUISITIVE INDIAN

WORDS DIE. SO DO MOST THINGS

THE NEW POLITICS OF AUSTERITY

DO WE ALL HAVE A SELL-BY DATE?

THE POWER OF BREVITY

DOES GOOD STAND A CHANCE AT ALL?

THE PHATAPHAT GENERATION

MORNING SICKNESS NOW HITS US ALL

THE ONLY GENIUS I EVER KNEW

A FREE NATION IS UNAFRAID TO LIVE OUT ITS DREAMS

THE INDISCREET ART OF DADAGIRI

TRUTH OR DARE?

WELCOME TO THE AGE OF BLACKMAIL

END OF A ROMANCE

A CHANGING WORLD ORDER?

EXIT THE COMMISSARS

DID WE ACTUALLY VOTE FOR CHANGE?

HYSTERIA IS NO ANSWER TO TERRORISM

A NEW DEAL IN THE NEW YEAR?
   
2008
   

WHAT SHALL WE REMEMBER 26/11 FOR?
GRIEF, ANGER, OR CHANGE?

IS THIS THE CHANGE WE ASKED FOR?

GET THESE NETAS OFF OUR BACK!

THE KILLER APPEAL OF BAD BOY MARKETING

THE PLAUSIBILITY OF HOPE

THE ART OF INTOLERANCE

WAITING FOR A MIRACLE

PAPA DON'T PREACH

FIVE BLIND MEN AND MY HINDOOSTAN

THE ART OF THE CON

DO WE REALLY KNOW HOW TO FIGHT TERRORISM?

TIME TO REJECT OLD PLATITUDES

WAITING FOR A MIRACLE

LIVING ON THE EDGE

MANMOHAN SINGH'S LAST CHANCE

NOT JUST INFLATION, A NIGHTMARE

TIME FOR ANGER MANAGEMENT

THE LEGEND OF CHE

A STAR IS A STAR, NOT SUPERMAN

WINNING IS NOT ABOUT MONEY

LET'S LOOK FOR EASIER SOLUTIONS

SOFT POWER UNITES WHAT POLITICS DIVIDES

TIME TO SIGN THE NUCLEAR DEAL

A PIRATED COPY OF FREE INDIA

TOO MUCH TAMASHA KILLS THE GAME

IPL AND A THROWBACK TO OLD LOYALTIES

THE MOCKERY OF FIGHTING INFLATION

LET'S CATCH CRIMINALS, NOT JUDGE THEIR VICTIMS

THE POLITICS OF PROFLIGACY

APNA SAPNA MONEY MONEY

THE TRAGEDY OF REGIONAL POLITICS

WHY TAX PAYERS HATE PAYING TAXES

LOSING BY THE RULE BOOK
   
2007
   

WINNING IS EVERYTHING:

CHANGING STATUS SYMBOLS BY PRITISH NANDY

WHY TASLIMA NEEDS YOUR SUPPORT BY PRITISH NANDY

INDIA NEEDS THREE CRICKET TEAMS by PRITISH NANDY

STEP OUT OF THE PANIC ROOM OF THE PRESENT

PRITISH NANDY'S BEST INTERVIEW EVER

THIS NONSENSE ABOUT BIG FILMS